issue one
Mirrors Where Bass Should Be
By Kate Wylie
My grandmother was afraid
of the river. She doesn’t approach it, even
in dreams, but comes back
to melancholy me again, shining
with shards of a wayward past—
berries, bruises, dark blue hues,
the long goodbye of blackbirds.
Cooling coffee and half-peeled nail polish,
cacophony of pool balls clacking together.
Grits in the morning, Chex Mix at night.
My grandfather wrote the Snake-Eaters Almanac,
blessed me with honeysuckle braids
shaking no at any sign of snow. Strange,
how three-dimensional this daylight makes me
look. Even I can see
the splintered cello heart, hear its song
rattling around inside girlish ribs.
I wish this didn’t feel so much like loss,
like becoming a woman all over again—
antique call bells ringing and ringing,
the dead doe that doesn’t stay dead,
shattered coffee cup, color red.
This day blooming beyond the window,
blue-shock and brilliant.
This love song I can’t seem to shake.
This memory.
This fish, dead at my fingertips.
This pair of ghosts waiting in the corner.
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about the author:
Kate Wylie (she/they) is a poet from St. Louis, Missouri. Wylie graduated from Webster University in 2018, reads fiction for The New Southern Fugitives, and has published poetry across America. Wylie currently studies under 2023 Guggenheim Award winner Shara McCallum at Pacific University.
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